Free Watch I Give It a Year 2013

Comedy, Romance,

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Stream Online I Give It a Year (2013)

• MOVIE page: I Give It a Year (2013)
• Rate: 5.9/10 total 11,146 votes 
• Genre: Comedy | Romance
• Runtime: 97 min
• Filming Location: London, England, UK
• Director: Dan Mazer
• Stars: Rose Byrne, Rafe Spall, Alex Macqueen | See full cast and crew
• Original Music By: Ilan Eshkeri   
• Sound Mix: Dolby Digital
• Plot Keyword: Marriage | Couple | Singing In A Car | Awkwardness | American Abroad

Writing Credits By:

(in alphabetical order)
• Dan Mazer  screenplay

     

Goofs: Plot holes: In order to meet on the platform at the end of the film, all of the characters would need passports to board the train. How do the two late entrants know that they will need them before leaving the house for the meal?

Plot: A look at the trials and tribulations of a newlywed couple during their first year of marriage. |  »

Story: A look at the trials and tribulations of a newlywed couple during their first year of marriage.

Produced By:

• Tim Bevan known as producer
• Liza Chasin known as executive producer
• Olivier Courson known as executive producer
• Eric Fellner known as producer
• Ron Halpern known as executive producer
• Debra Hayward known as executive producer
• Jane Hooks known as co-producer
• Kris Thykier known as producer

FullCast & Crew:

• Rose Byrne known as Nat
• Rafe Spall known as Josh
• Alex Macqueen known as Minister
• Stephen Merchant known as Danny
• Jane Asher known as Diana
• Terence Harvey known as Alec
• Minnie Driver known as Naomi
• Jason Flemyng known as Hugh
• Nigel Planer known as Brian
• Maisy Mazer known as Bridesmaid
• Matilda Thykier known as Bridesmaid
• Clare Higgins known as Elaine
• Anna Faris known as Chloe
• Kevin Moore known as Toastmaster
• Olivia Colman known as Linda
• Alisha Bailey known as Kate
• Kerry Howard known as Clare
• Daisy Haggard known as Helen
• Tim Key known as Alan
• Simon Baker known as Guy
• Djalenga Scott known as Alexandra
• Joseph Millson known as Charlie
• Sue Wallace known as Janet
• Daisy Donovan known as Partygoer
• William Andrews known as Joke Thief
• Derek Hutchinson known as Business Guy
• Hasina Haque known as Preeta
• Pandora Colin known as Jane
• Martin Trenaman known as HR Man
• Anna Skellern known as Claudia
• Dustin Demri-Burns known as Dove Violinist
• Clare Welch known as Granny
• Audrey Nicholson known as Woman with Taxi
• Peter Mair known as Man with Taxi
• Lee Asquith-Coe known as Party Goer (uncredited)
• Paul Blackwell known as Waiter at Wedding (uncredited)
• Leon Corbin known as Passerby (uncredited)
• Sam Creed known as Euro Star Man (uncredited)
• Eva Dagoo known as Fireworks guest (uncredited)
• Ray Donn known as Eurostar Passenger (uncredited)
• Craig Izzard known as Customer (uncredited)
• Ali Jardine known as Passenger (uncredited)
• Martin John King known as Roger (uncredited)
• Simone Liebman known as Client (uncredited)
• Shaun Lucas known as Wedding Guest (uncredited)
• João Costa Menezes known as Client (uncredited)
• Marcus Sinclair known as Pool bar Patron (uncredited)
• June Smith known as Xmas Party Reveller (uncredited)
• Glen Stanway known as Wedding Guest (uncredited)
• Senem Temiz known as Client (uncredited)
• Glenn Webster known as Eurostar Staff (uncredited)

Production Companies:

• StudioCanal (presents)
• Anton Capital Entertainment (ACE) (in association with)
• Starcrossed Films
• Paradis Films
• TF1 Films Production
• StudioCanal
• Canal+ (with the participation of)
• Ciné+ (as Cine+) (with the participation of)
• TF1 (with the participation of)
• LOVEFiLM International (as LOVEFiLM) (with the participation of)
• Working Title Films (as Working Title)
• Translux (uncredited)

MPAA: Rated R for sexual content, language and some graphic nudity

I Give It a Year (2013) Review by Marmaduke90 from Australia

All comedy stems from tragedy. Comedy cannot exist with a dramaticpremise because drama forms the situations of reality from which anarrative can exist and develop. What is said within these situationsbecomes the punchline. The stronger the situations and the moreinvolving the drama of the story, the funnier the film should be.Modern comedies though often fail to acknowledge the dramatic value ofa situation, hoping the jokes will support themselves.

I Give it a Year didn't draw a single laugh from me. It forgoes thecrucial rule of humour: comedy must exist in reality. This is ananomaly for the British studio Working Title Films whose films,including Love Actually and Notting Hill, have grounded themselves inboth quiet observation and dry wit. With a script by first timedirector Dan Mazer, the plot and the characters here are bothunderdeveloped and the jokes misfire from unrealistic situations anddialogue.

Mazer is a long-time collaborator of Sacha Baron Cohen. He wrote andproduced all three of Cohen's feature films, including Borat, whichwere American-UK productions. Similarly, this film is crassly writtenas though Working Title Films had a broader demographic in mind, towhom the subject of sex might still seem like the high point of comedy.

The concept is not as subversive as Mazer claims it is either. Josh(Rafe Spall) and Nat (Rose Byrne) are a couple who have decided tomarry after seven months. None of their friends, including Nat's sister(Minnie Driver), believe that they will last. Two months later and theyare already in counselling. Josh has written one book but has failed tograsp the second. Nat is working in an office and frustrated by Josh'scomplacency and his annoying best friend Danny (Stephen Merchant).

Josh becomes reacquainted with his ex-girlfriend Chloe (Anna Faris) andNat is attracted to the smooth talking and successful Guy (SimonBaker), an American client who likes her but doesn't know that she ismarried. The familiar premise of two people already spoken for attachesitself to a gimmick where we are meant to realise that Josh and Natdon't belong to each other and are better suited to other partners.

The film postures as being about the aftermath of commitment, includingthe consequences of rushing into a marriage. However, this concept isnot treated with any dramatic weight or seriousness for the situationsto hold any trace of drama or tragedy. Instead, we're remindedfrequently of why the couple is unsuited but the point is obvious andlaboured: we're meant to laugh at a failing relationship that was neverpromising to begin with.

Mazer also diminishes the comedy by reducing scenes into disconnectedskits, determined to embarrass characters, even the ones that we'remeant to be rooting for. The characters are so thinly drawn that itdisperses the likelihood of seeing them growing and having an emotionalattachment. Being made a slacker, Josh is the target for a lot ofjuvenile humiliations including: his in-laws seeing naked photos ofhim! Or dancing drunkenly like Beyoncé at Nat's work function!

The potential partners aren't free from this degradation either. AnnaFaris has a terribly unfunny scene where she is squashed under a would-be threesome with her partner and another girl. Simon Baker, whoseperformance overloads on unctuousness, has his romantic credibilitystrained in a stupid scene where he brings a violinist and doves to aprivate board meeting with Nat. Would it spoil the gag to mention thereis a fan in the room?

Stephan Merchant is a hugely talented comedian but his role issingular: to be as obnoxious as possible, reminding us how even Josh'sfriends repulsive to Nat. He echoes Spike from Notting Hill, but minusanything resembling a character arc. He exists to say unlikely things,like a wedding speech where he talks about having sex with bridesmaids.It's unbearably grating and not funny.

Much of the dialogue in I Give it a Year resides in this level ofsmuttiness to hold the audience's attention in the absence of drama andconflict. But comedy that retains dramatic purpose is always preferableto comedy for comedy's sake. The tragedy that should uphold thedramatic framework of the story must be relative to the characters, notthe film itself.

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I Give It a Year (2013) Review by Neil Welch from United Kingdom

Nat (Rose Byrne) and Josh (Rafe Spall) get married after a whirlwindromance. As their first year of marriage progresses, they begin tolearn that they don't seem to be very compatible. When one factors inthe reappearance of Josh's previous love interest Chloe (Anna Faris)and Guy (Simon Baker), a romantically inclined client of Nat's, both ofwhom seem to have much more in common with the spouses, one wonderswhether the marriage will survive for a year.

This romcom is, in the modern fashion, fairly rude, so don't go and seeit if you are offended by smutty humour, sex, nudity or bad language.It is also, again in the modern fashion, largely powered by the humourof embarrassment (best friend Danny (Stephen Merchant) delivers a BestMan speech of excruciating embarrassment, aware but uncaring of theoffence and discomfort he causes, for instance). Again, if you don'tcare for this sort of humour, you're not going to enjoy the film. Andit's clear that a number of reviewers, both professional and other,belong firmly in that camp - nobody likes everything.

But the proof of the pudding lies in the eating. I saw this film in afairly well attended screening with a mixed audience, mostly maturecouples and not the sort of audience I would have expected this film toappeal to, except that they were all people who had experienced thedifficulties which the experience of living with someone else bringswith it. And that is at the heart of this film. When I wasn't laughingout loud, I was giggling almost constantly - I found this film veryfunny. And, from the evidence of my ears, I was not alone - there was alot of (especially female) laughing out loud.

Spall and Faris have some funny stuff, and Byrne is also funny byvirtue of playing it straight - of the 4 principals, only Simon Bakersuffers from an absence of humorous material. But the secondarycharacters make up for this, with Merchant's crass best friend andOlivia Coleman's sour relationship counsellor being best of the bunch.There are some very funny set pieces - Baker's attempted hotelseduction, Faris' threesome, Coleman's phone diatribe - and staythrough the titles in order to catch Jane Asher's final line.

I really enjoyed this and I recommend it highly (but only if you are inthe mood for that sort of thing).

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I Give It a Year (2013) Review by johnnyjan16 from United Kingdom
Okay, so imagine you've just finished work, got home and need somethingto provide a little bit of background noise whilst sat with your laptopon brushing up on what's happened in the world, whilst thinking aboutwhat to have for dinner. This film is perfect for that.

This film isn't not funny. It's just not THAT funny. Quirky bits hereand there, but once you've heard one sex pun, you've heard 'em all. Itnever really gets going and half way through the film I could tell Iwasn't the only one sat in the cinema thinking this is slowly turninginto a bit of a bore.

There are a smattering of funny areas, particularly the Christmas Partyscene, but other than that, it's your run-of-the-mill Brit Rom-Com thatdoesn't really come to life.

Advice? Wait until it turns up on Sky Movies. Then you can judge forfree.

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